Contemplating the possibility of alternative art histories from a critical perspective allows us to understand that this field is alive, in constant transformation, and in dialogue with contemporary shifts in thought.

Since what is not named does not exist, this section is devoted to naming each of the women artists who are part of the Museum's collections. Some works come from royal collections and have been in the Museum since its opening like the ones by Artemisia Gentileschi, Sofonisba Anguissola, or Clara Peeters. Others have been incorporated through donations, such as "El Cid" by Rosa Bonheur, or via recent acquisitions, like the work of Maria Luisa Puiggener, aimed to complete the artistic production narrative within the Prado Museum’s chronological framework.

This virtual archive, that echoes Griselda Pollock's Virtual Feminist Museum, contributes to charting and making visible new paths in the knowledge and research concerning our collections.